Music, Art & More
VERSEMBLANCES, presentació del llibre. Antoni Robert, poemes i lectura, Ferran Besalduch, saxo i electrònica, Ester Xargay, pròleg, Francesc Fanés, presentació i editor, Joan Puche editor. Publicat per Pont del Petroli, 2020. Espai Betúlia, Badalona, 27-11-2020.
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Us adjunto el link per a escoltar l’esmentat programa. Va ser un plaer comnpartir-lo amb el gran Pius Morera. Hi trobareu també les versiona dels temes dels Beatles In My Life i Here Comes the Sun, interpretats per Sergi Gon, baix i guitarra, i jo mateix a la guitarra i veus. https://piusmorera.wordpress.com/2020/11/05/antoni-robert-gadea-vingue-a-presentar-versemblances-que-ara-fa-res-el-marc-de-2020-publica-lassociacio-cultural-de-poesia-pont-del-petroli-dins-de-la-col%c2%b7leccio-la/ https://www.ivoox.com/player_ej_60119714_4_1.html?c1=ff6600
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New double HAMFUGGI release!!! Nuevo lanzamiento doble de HAMFUGGI!!! 83 free download tracks from 83 different artists from all the world. A fascinating sonic trip! I participate with the track number 49, ABYSSAL. The artists-Los artistas https://hamfugi.wixsite.com/hamfuggirecords/les-troubadors-soniques https://hamfugi.wixsite.com/hamfuggirecords/gabriel-pereira-spurr The works-Los trabajos https://hamfuggirecords.bandcamp.com/album/ignis-scriptum https://hamfuggirecords.bandcamp.com/album/guitarras-de-yaar-baa-lah-2
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Úrsula San Cristóbal is an interdisciplinary artist and researcher devoted to experimental music, Performance art, Video art and calligraphy. With an academic background in music (BA. in Music from the Catholic University of Chile; MA in Hispanic Music from the University of Valladolid, Spain; MA in Musicology from the University of Milan, Italy, and a BA in Early Music from Scuola Civica di Musica di Milano), she later specialized in contemporary art and audiovisual media. Ursula holds a PhD in Art History and Musicology from the Autonomous University of Barcelona. Her research interests center around the role of music and sound in performance art and video art. Have a look at her work following the links attached below.
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This is the ninth album of the ‘Microtopies’ global call. The Microtopies are sonic miniatures that shape a special edition of the Música i Geografía (Ràdio Gràcia, Barcelona) radio show, produced weekly by Gràcia Territori Sonor. The aim is to make a sonic route through a map of randomly assigned events, since the pieces received have been included in strict order of reception. This year have been received 56 pieces from 31 cities from 11 countries. Now, we invite you to this journey. You will enjoy the best sound quality as recorded by the authors. Don’t listen to them on your computer loudspeakers but rather plug it in a decent sound system or put on good headphones, otherwise you will miss a lot of sounds and frequencies… Have a good trip! Gràcia Territori Sonor wants to acknowledge all the artists who have generously participated in this project… thank you for
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Back in 1984 Francisco Sandalinas (architect) went to India & Nepal alone, only with his camera. Once back some of the films were stored badly and suffered from weather degradation. Instead of scrapping it, Francisco developped them and realized that the pictures had acquired a rare beauty. A selection of the pictures has been included in this video, and I’ve added some adequate sounds. We hope you will enjoy it.
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First post confinement meeting, on the same day when Keith Tippett died. Dedicated to him. Jaume Martín, keyboard, guitar Montserrat Marfany, voice, glockenspiel, objects Antoni Robert, guitar, keyboard Toni Pons, drums
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Dedicated to you, but you were in another dimension, by NUUMU Code. Montserrat Marfany, voice, glockenspiel, objects; Jaume Martín, guitar; Toni Pons, drums; Antoni Robert, keyboard; Dedicated to Keith Tippett Images from videos from American Indian film gallery (https://aifg.arizona.edu/). We express our deepest respect for native American cultures. Recorded at La Universal, Barcelona, 14-6-2020.
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This is the 11th Pandemic Suite , and it is the first one to have been played using the Multi Mode of Blofeld. The first 10 suites were played usin just one sound. This one has been played using 8 different sounds. So is has more complexity and details. As the previous ones it doesn’t make sense to listen bits of it. It is an ambient recording and the aim is to create a mood, and the mood is created slowly, step by step, and to be perceived it requires a complete and concentrated listening.
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We are living strange days. We don’t even know when the situation will return to a “normal” state. Perhaps never, because the problem was an incorrect normality. During these days “at home” I am playing 40′ suites for myself. I try to find a suitable state of mind and then I relax and try to evolve the sound properly. Different days, different moods. I have decided to share with you whenever the results satisfy me. Those are “ambient” recordings, not songs or melodies. The only reasonable way to hear it is from start to finish, without interruption, because the mood takes time to reveal itself and enter your brain. Hearing those sounds partially and with interruptions is pointless. I hope you like it, and I am ready to receive your comments. All downloads are FREE. For these Pandemic recordings, the artwork is done using different sources, and authors are in
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We are living strange days. We don’t even know when the situation will return to a “normal” state. Perhaps never, because the problem was an incorrect normality. During these days “at home” I am playing 40′ suites for myself. I try to find a suitable state of mind and then I relax and try to evolve the sound properly. Different days, different moods. I have decided to share with you whenever the results satisfy me. Those are “ambient” recordings, not songs or melodies. The only reasonable way to hear it is from start to finish, without interruption, because the mood takes time to reveal itself and enter your brain. Hearing those sounds partially and with interruptions is pointless. I hope you like it, and I am ready to receive your comments. All downloads are FREE. For these Pandemic recordings, I am using VEGKVOGTRE’s drawings as the main artwork, with the
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Played live. All sound played and recorded in real time. No overdubs, no editing. Equipment: Blofeld synthesizer, Pandora Korg effects pedal, Xenyx QX 1002 bBehringer mix desk effects. Played on April, 7th, 2020, during the Coronavirus pandemic. Front cover drawing by Vergvoktre (used with kind permission of the artist). Back cover photograph by Roger Viollet pour le journal L’Illustration (1939). In front the father and the sister of Amadeu, she also one legged, after them Tomas Coll and Amadeu Gracia Bamala, one legged 5 years old boy after a bombardment on Monzón, during the Spanish civil war. They are escaping to France through the Col d’Ares. Free download here: https://antonirobert.bandcamp.com/album/the-march-from-despair-to-fear
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Dr. Antoni Robert, synthesizer, percussions; Offscope Jordi Buscà, guitar, samples; Sir Pere Canals, guitar, keyboard; Pepe Ruz, electronics, percussions. Recorded live at Chez Pepe, Pallejà, 21.1.2020.
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Vita D’Armadio: Fiora Blasi, text, voice; Errico De Fabritiis, text, voice, sax; Giusi Bulotta, double bass; BCN Improfest, 7-3-2020. Centre Cultural Albareda, Barcelona.
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Los Sabios Duendes: Juan Crek, text, voice; Adrià Grandia, modular synth; Toni Gutierrez, step sequencer; Marcelo Acosta, modular synth. BCN Improfest, 7-3-2020. Centre Cultural Albareda, Barcelona.
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Col·lectiu Free’t interpreta Força Inframinsa; Alba Vicario, dança; Montserrat Trepat, actriu; Oriol Planes Ritxi, actor; Arnau Millà, soundpainter; Maria Berengué, violí; Rafael Esteve, contrabaix; Genís Bagés, bateria; Miquel Àngel Marín, clarinet. BCN Improfest 7-3-2020. Centre Cultural Albareda, Barcelona.
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Now you can listen and free download this premonitory wonder. Hazard Records, hr096, 2020, live at ANDRÒMINA n.8 Pallejà 30/11/19, improvisació gravada a l’Andròmina 2019 a Pallejà, Nostá l’hornu pa bollus (42′), Dr. Antoni Robert: synthesizers + samples, offscope Jordi Buscà: guitars + samples, Sir Pere Canals: guitars, Pepe Ruz: electronics + percussions.
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Josep Vila, words, voice, Miquel Tuset, alto & electric sax, Sergi González, electric guitar, Pepe Ruz, fretless bass, voice, Toni Pons, drums & percussions, Antoni Robert, synthesized guitar.
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Improvisació amb saxo i ones Martenot. TOMOMI KUBO, ones Martenot FERRAN BESALDUCH, saxo baix i sopranino.
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SETSFREE: Quicu Samsó, bateria , Eduard Altaba, contrabaix, Ramon Solé, guitarra, Marina Vallet, saxo baríton, Liba Villavecchia, saxo tenor, Agustí Martínez, saxo alt. Dimarts, 25 de febrer 2020, TepekaleSound.
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Vespertina#19 amb SAM ABRAMS, presentat per Josep Maria Fulquet. Lectura de poemes i tertúlia al Caffè San Marco, 13-02-2020. Les Vespertines son una idea de Joan Ramón Lladós i Antoni Robert.
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Vespertina#18 amb Lluís Solà, presentat per Carles Camps i Mundó. Lectura de poemes i tertúlia al Caffè San Marco, 23-01-2020. Les Vespertines son una idea de Joan Ramón Lladós i Antoni Robert.
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Recorded in September 2019 in Syros (Greece) by AR. Produced by AK & AR. Tubular bells installation made by AK. Artwork by AR. Back picture by AK. The sounds of this recording are either based on traditional Greek songs, or improvised. El Ball de la Civada is a popular Catalan song. Many thanks and our deeper respect and admiration to the master senior tsambouna and toumbaki players Frangisko, Sorokos & Fagri. Many thanks also to the rest of players, whose contribution is deeply appreciated. Thanks to Dina & Ayis for coordinating all the activities that made this recording possible.
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El Pricto, alto sax, Ferràn Fages, guitar. Nocturna Discordia #239 first set, Soda Acústic, Barcelona, 22-1-2020. The Nocturna Discordia sessions are a classic and a must in the Barcelona free scene.
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Monday, January the 20th special multi-ritual HAMFUGGI Records double edition. Dr Antoni Robert heals dukkha’s wounds. Ek dui tin char, from Japan and Nepal places modernity in its right place in watering ancient Orient songs in the present where it is always today (in spite of any attempt to the contrary).
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Nocturna Discordia #201. Nuno Rebelo, guitar; El Pricto, sax; at Soda Acústic Barcelona, 6/3/2019. We closed 2019 with the great Mars Williams, and we open 2020 with another stunning performance. By the way, El Pricto was present in both. Enjoy it, and have a Happy 2020!!!
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Mars Williams presents an Ayler Xmas!!! with Diego Caicedo, guitar , Djakolo Bard Soho, bass, El Pricto, alto sax, Vasco Trilla, drums & Mars Williams soprano & tenor sax, objects, at El Pumarejo, Barcelona, 10-12-2019.
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Nostà l’hornu pa bollus (excerpt from 42’05”) by D.O.S. live at Andròmina, 30-11-2019. offscope Jordi Buscà, guitar; Sir Pere Canals, guitar; Dr. Antoni Robert, synthesizer; Pepe Ruz, electronics & percussion; Images from Masaje (Iván Zulueta, 1972) This is an excerpt of the full 42′ performance at Andròmina Festival.
Continue readingYour future demons (Els teus futurs dimonis) by NUUMU CODE: Josep Vila, words & voice; Montserrat Marfany, voice and objects; Jaume Martín, keyboard; Pepe Ruz, fretless electric bass; Toni Pons, drums; Antoni Robert, synthesized guitar. Improvised live at La Universal, Hospitalet de Llobregat, 24-11-2019. Images from Wintercourse (Paul Sharits, 1962).
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Dame Area: Silvia Konstance Costan, vocals, percussion synthesizer & Comisario de la Luz, keyboard, percussion, at Màgia Roja, Barcelona, 7-12-2019. Again the fury of Dame Area unchained!
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