Music, Art & More
Avui no m’he complicat la vida. Aquesta és una font molt original formada per un gran tub que aboca a un gran estany dins un jardí molt acurat. Està situada a Can Santgenís, residència de les Germanes Hospitalàries a la plaça Karl Marx, dins el recinte de la clínica Stauros. És la número 156 del catàleg de fonts de Collserola, i la número 113 del meu compte particular de fonts visitades.
Continue readingFont de la Rata, a prop de la Masia de Can Borrel. Mal conservada i sense aigua, però una font molt bonica i amagada.
Continue reading24 de setembre, a Cal Cens, jamming with Antonio Puertas i Bet Gárgola & Friends. Gran dinar i magnifica jam. We had fun!!!
Continue readingDownload link Thrmnphone Records 007 De la mano de Antoni Robert nos trasladamos a San Petersburgo a través de un recorrido por los sonidos captados en esa ciudad. Pero no estamos ante una clásica grabación cruda de campo de un lugar determinado, el detallado trato delautor a todo el material de Saint Petersburg Soundscape sirve de vehículo para viajar, si bien no físicamente, si por medio de la “música” de una de las ciudades más atractivas del planeta y como nos dice Antoni, “…uno se hace a la idea de cómo suena la ciudad escuchando este trabajo”. Do you enjoy the buzz of a city? Are you fond of trains? Do you like to drift off into a world of the imagination? Then welcome to a triptych of albums from Antoni Robert. All three are based on field recordings electronically manipulated and edited to create a series of encapsulated experiences, evoking both
Continue readingDownload link http://hazardrecords.mydocumenta.com Hazard Records hr089 Train Piece #1 (Ono Piece) 2’43” Train Piece #2 (Harrison Piece) 4’30” Train Piece #3 (McCartney Piece) 5’47” Train Piece #4 (Fab Four Piece) 2’59” Train Piece #5 (Martin Piece) 6’02” Train Piece #6 (Starkey Piece) 3’44” Train Piece #7 (POB Piece) 5’05” Train Piece #8 (Wings Piece) 3’32” Train Piece #9 (Lennon Piece) 8’18” Bonus Track : Extended Club Mix.The Cavern Piece (They Shoot Horses, Don’t They?) 12’35” Antoni Robert: field recordings, sound processing, pictures & artwork public domain free download http://www.hazardrecords.org Sounds recorded and processed in 2015-2016 with zoom H2n and iphone. I play no instruments in this recording. This is deliberately a low-fi work. In the Yoko Ono-Plastic Ono Band LP (1970) there’s a track called “Paper Shoes” starting for some 2 minutes just with the sound of a train. I found this track fascinating. Since then I’ve always had
Continue readingDownload link http://www.wdrecords.com WDR14 Hidden Pattern #1. Journey through a wormhole into the home of the pataphysical ghosts. The idea for this work came to me when thinking about John Cage’s 4’33” piece. Cage composed the silence, but what about recording the silence? So I left the digital recorder in a silent room for one hour. In real world perfect silence doesn’t exist, because outside the silent room things happen, and leave subtel sound traces. Through amplification you start to hear noises and hidden sound patterns. Some make sense, some do not, but all of them are potentially useful. After a long process of selection and manipulation you have a variety of sounds that you can use for composing. Sounds that came out of nothing. No instruments at all have been used, just the sound captured in the original recording. After several attemps with the combined “stretch” effect
Continue readingDownload link http://hazardrecords.mydocumenta.com Hazard Records hr087 1. Ostkreutz 2′ 49” 2. Warschauer Strasse 3′ 35” 3. Ostbahnhof 4′ 50” 4. Jannovitzbrücke 3′ 29” 5. Alexanderplatz 3′ 56” 6. Hackescher Markt 3′ 31” 7. Friedrichstrasse 38′ 44” – Inside the Dark Room – Electromagnetic Fields – Pianissimo Antoni Robert: field recordings, sound processing September 2015 I play no instruments in this recording. From September the 3rd until the 6th I attended all the concerts of the Life Lines festival dedicated to Hans-Joachim Roedelius in Berlin, at the Haus der Kulturen der Welt. From my hotel near Ostkreutz station to the concert hall everyday I had to go through seven S-Bahn stations. This was like a ritual every day. Not knowing what for, I started doing some field recordings. During the day along Berlin streets, then at the concert hall I recorded
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