In Our Time 2017, Skulptur Projekte 2017 Material Video, unspecified duration Gerard Byrne (* 1969 Dublin; lives in Dublin) uses his audio and video recordings and his photographs to scrutinize how media are constructed and manipulated, for example, in documentary footage, photographs, interviews, and writings. He examines how historical concepts and myths promote the possibilities of defamation and the rise of fictional facts, and how they dominate an evaluation of cultural production and debates about present and future socio-political events. His films appear in high-end formats, they steal the show with their excellent picture quality, their cinematography and decor, and the acting, speaking performances, and entertaining dialogues they contain. And yet they are fragmentary in nature. Byrne montages sequences from documentary footage and restaged scenes that he interrupts with black screens and spatially dramatic cuts, as well as close-ups of faces or functional objects. The works reveal themselves in installationsContinue reading
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