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	<title>Wet Dreams Records &#8211; Antoni Robert</title>
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	<description>Music, Art &#38; More</description>
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		<title>Novetat: MEDITATION RAGAS (Wet Dreams Records)</title>
		<link>https://arobert.bcn-cluster.com/novetat-meditation-ragas-wet-dreams-records/</link>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Sun, 09 Oct 2016 12:07:17 +0000</pubDate>
				<category><![CDATA[My Music]]></category>
		<category><![CDATA[Antoni Robert]]></category>
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		<category><![CDATA[Wet Dreams Records]]></category>
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					<description><![CDATA[This record puts together two works conceived during my walks around Collserola hill (near Barcelona) with my friend Drac, looking for forest fountains and peaceful spots. It is very personal and intimate, but I&#8217;m pleased to share it with all of you. It is quiete obvious that it is not meditation music, or music to meditate with. In fact the first track is quite rough and based on guitar feedback. Somehow it was inspired by Metal Machine Music of Lou Reed, and the guitar part is the first thing I played with my brand new Blade Lewinson almost two years ago. I just played it once back from my Collserola walk, under the effect of the relaxing walk, and adding afterwards some sounds captured during the walk. Second track uses some more recognisable elements in the meditation music, such as tambura, tabla and sitar sounds, but again those elements are]]></description>
		
		
		
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		<title>Journey through a wormhole into the home of the pataphysical ghosts</title>
		<link>https://arobert.bcn-cluster.com/journey-through-a-wormhole-into-the-home-of-the-pataphysical-ghosts/</link>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Wed, 31 Aug 2016 20:33:15 +0000</pubDate>
				<category><![CDATA[My Music]]></category>
		<category><![CDATA[Antoni Robert]]></category>
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		<category><![CDATA[Records]]></category>
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		<category><![CDATA[Wet Dreams Records]]></category>
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					<description><![CDATA[&#160; Download link http://www.wdrecords.com    WDR14 Hidden Pattern #1. Journey through a wormhole into the home of the pataphysical ghosts. The idea for this work came to me when thinking about John Cage’s 4’33” piece. Cage composed the silence, but what about recording the silence? So I left the digital recorder in a silent room for one hour. In real world perfect silence doesn’t exist, because outside the silent room things happen, and leave subtel sound traces. Through amplification you start to hear noises and hidden sound patterns. Some make sense, some do not, but all of them are potentially useful. After a long process of selection and manipulation you have a variety of sounds that you can use for composing. Sounds that came out of nothing. No instruments at all have been used, just the sound captured in the original recording. After several attemps with the combined “stretch” effect]]></description>
		
		
		
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