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	<title>Laia Mauri &#8211; Antoni Robert</title>
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		<title>Por las grietas entra la luz, by Maria João Flôxo, at Pati Nau Anònima, Manresa, 17-2-2018</title>
		<link>https://arobert.bcn-cluster.com/por-las-grietas-entra-la-luz-maria-joao-floxo-pati-nau-anonima-manresa-17-2-2018/</link>
					<comments>https://arobert.bcn-cluster.com/por-las-grietas-entra-la-luz-maria-joao-floxo-pati-nau-anonima-manresa-17-2-2018/#comments</comments>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Mon, 19 Feb 2018 19:19:47 +0000</pubDate>
				<category><![CDATA[Music Events]]></category>
		<category><![CDATA[Dance-Performance]]></category>
		<category><![CDATA[Hernán Arambarri]]></category>
		<category><![CDATA[Laia Mauri]]></category>
		<category><![CDATA[Maria Joao Flôxo]]></category>
		<category><![CDATA[Primo Gabbiano]]></category>
		<category><![CDATA[Visual Pal]]></category>
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					<description><![CDATA[Maria João Flôxo, performance,  Hernán Arambarri , sound,  Laia Mauri, light dress, at Pati Nau Anònima, Manresa, 17-2-2018. The idealization of performance has the historical reference of the mystery of Light of Manresa, a phenomenon of nature that was automatically seen as a divine manifestation. On a route to the light, it is intended to bring the public closer to the historical reference through elements such as light, water and the path. There is always someone who drives us to the light. La idealització de la performance Por las grietas entra la luz té com a referent històric el Misteri de la Llum de Manresa, un fenòmen de la naturalesa que automàticament va ser vist com a una manifestació divina. En un recorregut cap a la llum es pretén acostar al públic a la referència històrica a través d’elements com la llum, l’aigua i el camí. Sempre hi ha algú]]></description>
		
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