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	<title>Exhibitions &#8211; Antoni Robert</title>
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	<link>https://arobert.bcn-cluster.com</link>
	<description>Music, Art &#38; More</description>
	<lastBuildDate>Wed, 17 Jan 2018 22:09:52 +0000</lastBuildDate>
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		<title>La interacció tranquila, by Almudena Pardo, Espai 13, 30.06.2015. Exposició de Eva Kot’átková</title>
		<link>https://arobert.bcn-cluster.com/la-interaccio-tranquila-almudena-pardo-espai-13-30-06-2015-exposicio-de-eva-kotatkova/</link>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Wed, 03 Jan 2018 12:47:14 +0000</pubDate>
				<category><![CDATA[Other Arts]]></category>
		<category><![CDATA[Almudena Pardo]]></category>
		<category><![CDATA[Dance-Performance]]></category>
		<category><![CDATA[Espai 13]]></category>
		<category><![CDATA[Eva Kot’átková]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Fundació Joan Miró]]></category>
		<guid isPermaLink="false">https://arobert.bcn-cluster.com/?p=1669</guid>

					<description><![CDATA[Deliciosa i subtil performance de Almudena Pardo, que interacciona reposadament amb els objectes exposats. 2 hores de performance resumides en uns 20&#8242;. Filmat amb autorització de la Fundació Joan Miró. Molt interessants també les reaccions de alguns visitants. De Núvol Galeries: L’ambidexteritat a la Fundació Miró (Aina Canyelles). Barcelona. / 30.06.2015 És habitual trobar-nos amb persones que eren esquerranes i s’han vist obligades a fer servir la mà dreta. Tant si ha sigut de forma deliberada, durant la infància, a l’escola o a feines on es requereixen els hàbits dretans, aquestes persones han hagut d’aprendre a utilitzar indistintament qualsevol de les dues mans. Aquesta habilitat s’anomena ambidexteritat i és el concepte del qual parteix l’exposició de l’artista Eva Kot’átková a l’Espai 13 de la Fundació Joan Miró. “Formació en ambidexteritat”, que es pot visitar des del 19 de juny fins al 6 de setembre de 2015, serveix per reflexionar sobre]]></description>
		
		
		
			</item>
		<item>
		<title>Barcelona Political Street Art. Exhibition From September 15th to October 1st, 2017, in Barcelona streets. EXTENDED.</title>
		<link>https://arobert.bcn-cluster.com/barcelona-political-street-art-exhibition-september-15th-october-1st-2017-barcelona-streets/</link>
					<comments>https://arobert.bcn-cluster.com/barcelona-political-street-art-exhibition-september-15th-october-1st-2017-barcelona-streets/#comments</comments>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Fri, 22 Sep 2017 22:23:05 +0000</pubDate>
				<category><![CDATA[Other Arts]]></category>
		<category><![CDATA[Barcelona]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Political Art]]></category>
		<category><![CDATA[Posters]]></category>
		<category><![CDATA[Street Art]]></category>
		<category><![CDATA[Urban Art]]></category>
		<guid isPermaLink="false">https://arobert.bcn-cluster.com/?p=1048</guid>

					<description><![CDATA[UPDATE: THE EXHIBITION IS PROLONGUED AT LEAST UNTIL DECEMBER 21ST. FOR THIS DATE THERE&#8217;S A CALL FOR CATALAN ELECTIONS AND MORE POSTERS AND ARTISTIC WORKS ARE EXPECTED TO APPEAR ON THE WALLS OF BARCELONA DUE TO THE ELECTIONS CAMPAIGNE. HERE I PRESENT SOME RECENT ADDINGS. The Star Wars reminiscent art refers to the fact that for catalans Spain is the rest of the Castilla Empire. This empire has been loosing its military conquered territories, such as Peru, Cuba, Philippines, etc. And now it is the turn for Catalonia, conquered by Felipe V army in 1714. And the Empire counterattacks, the Dark Side conterattacks. But nothing can stop the desire of freedom of a country. UPDATE: the exhibition has been extended due to the extreme clumsiness of the spanish government, that has decided to jail two catalan leaders of cultural associations, that have not committed any crime. The not independent spanish]]></description>
		
					<wfw:commentRss>https://arobert.bcn-cluster.com/barcelona-political-street-art-exhibition-september-15th-october-1st-2017-barcelona-streets/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>On Water (Auf dem Wasser), Ayşe Erkmen’s (Istanbul) artwork for Skulptur Projekte Münster 2017</title>
		<link>https://arobert.bcn-cluster.com/water-auf-dem-wasser-ayse-erkmens-istanbul-artwork-skulptur-projekte-munster-2017/</link>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Mon, 28 Aug 2017 16:54:04 +0000</pubDate>
				<category><![CDATA[Other Arts]]></category>
		<category><![CDATA[Ayse Erkmen]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Münster Skulptur Projekte]]></category>
		<category><![CDATA[Sculpture]]></category>
		<guid isPermaLink="false">https://arobert.bcn-cluster.com/?p=887</guid>

					<description><![CDATA[Following with the recent impressions in Münster, this is one of the interesting works to see and to experiment. Besides the official descriptions, this is a work that generates a variety of suggestions. Depending on the point of view you see people walking on water. Or you may recall the refugees phenomenon, that have to go through water to go from one place to another. Anyway it is a remarkable piece of art that requires that you put your feet into water to fully appreciate it. On Water (Auf dem Wasser) is the title of Ayşe Erkmen’s artwork for Skulptur Projekte Münster 2017. For Skulptur Projekte 2017, Erkmen selected Münster’s inland harbour as her location. Just below the surface of the water between the bustling Nordkai (northern pier) and the industrialized Südkai (southern pier) she installed a jetty that links the two riverbanks. It creates the impression that visitors are]]></description>
		
		
		
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		<item>
		<title>Pierre Huyghe’s After ALife Ahead (2017) at Skulptur Projekte Münster: augmented reality</title>
		<link>https://arobert.bcn-cluster.com/pierre-huyghes-alife-ahead-2017-skulptur-projekte-munster-augmented-reality/</link>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Tue, 22 Aug 2017 17:23:41 +0000</pubDate>
				<category><![CDATA[Other Arts]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Münster Skulptur Projekte]]></category>
		<category><![CDATA[Pierre Huyghe]]></category>
		<category><![CDATA[Sculpture]]></category>
		<guid isPermaLink="false">https://arobert.bcn-cluster.com/?p=868</guid>

					<description><![CDATA[This is for shure the most impressive work of Skulptur Projekte Münster 2017, and the most expensive one, and it&#8217;ll be destroyed after Octobert the 1st. A work including cancer cells, snails, algae, concrete, bees, mud, software and many other elements. While touring possible locations for his contribution to the 2017 Skuptur Projekte in Münster, Germany, late last year, the 54-year-old French artist found one such site, a sprawling, old ice-skating rink, no longer in use, tucked behind a Burger King on the edge of town. “This place will be destroyed, so I could actually act on it as I wanted,” he said, recalling what attracted him to the space in a Skype call from Brooklyn last week. Huyghe has transformed that abandoned rink into one of the most formidable and mysterious artworks that I have ever seen, an alien environment that seems secretly to teem with life and that]]></description>
		
		
		
			</item>
		<item>
		<title>Y tu ¿por qué eres negro? de Rubén H. Bermúdez, a Caixaforum</title>
		<link>https://arobert.bcn-cluster.com/y-tu-por-que-eres-negro-de-ruben-h-bermudez-caixaforum/</link>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Tue, 01 Aug 2017 11:39:57 +0000</pubDate>
				<category><![CDATA[Other Arts]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<guid isPermaLink="false">https://arobert.bcn-cluster.com/?p=847</guid>

					<description><![CDATA[Overwhelming installation and book by Rubén H. Bermúdez. Images to reflect on. Simple and overwhelming.]]></description>
		
		
		
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