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	<title>Alexandra Garzón &#8211; Antoni Robert</title>
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	<description>Music, Art &#38; More</description>
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		<title>Marcel.lí Bayer, Alexandra Garzón, at Albareda, Barcelona, 6-3-2018, BCN ImproFest</title>
		<link>https://arobert.bcn-cluster.com/marcel-li-bayer-alexandra-garzon-albareda-barcelona-6-3-2018-bcn-improfest/</link>
		
		<dc:creator><![CDATA[Antoni Robert]]></dc:creator>
		<pubDate>Mon, 19 Mar 2018 17:44:27 +0000</pubDate>
				<category><![CDATA[Music Events]]></category>
		<category><![CDATA[Alexandra Garzón]]></category>
		<category><![CDATA[BCN IMPROFEST]]></category>
		<category><![CDATA[Centre Cultural Albareda]]></category>
		<category><![CDATA[Marcel.li Bayer]]></category>
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					<description><![CDATA[Marcel.lí Bayer, electronics;  Alexandra Garzón, video;  at Albareda, Barcelona, 6-3-2018; BCN ImproFest 2018. Solo musical projects always fascinate me, and especially with instruments we’re not used to hearing unaccompanied. The piano and the guitar for example, both have a strong tradition of solo performance; but drums, bass, and – in this case – saxophone, are usually experienced with another noisemaker. So, in the solo context, they maybe have to work a little harder, dig a little deeper, can’t rest on a foundation of tradition… Marcel·lí Bayer is a ‘name’ on the Catalan jazz scene. His first album was recorded with a nonet, featuring Lee Konitz; his second was a quartet; this, his third, is just him (where next?!) The 25 pieces were recorded in an 11th century church in Avinyó (restored in 1680, hence the title) and were composed with the venue in mind. This is simple music in the]]></description>
		
		
		
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